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Murder’s Legacy
A Tori Winters Mystery, Book 2
By Anita Dickason
NOW AVAILABLE FOR PRE-ORDER!

Mystery / Women Sleuths
Publisher: Mystic Circle Books
Coming February 16, 2023
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Secrets that defy time!
An inconceivable disaster brings Tori Winters’s plans for the historic house she inherited to a traumatic standstill. A section of the escape tunnel built by her great-grandfather, a notorious Dallas gangster, has collapsed. Within the rubble, there is a gruesome discovery. A skeleton with a bullet hole in the skull.
The shocking cave-in triggers an ominous scheme to condemn her property as accusations arise that the tunnel is dangerous. Embattled, Tori soon discovers that more than the destruction of the house is on the line. It seems she can’t escape the past. It keeps clawing its way into her life with deadly consequences.Who hides in the shadows with a motive for murder? And … is Tori the target?



Award-winning Author Anita Dickason is a twenty-two-year veteran of the Dallas Police Department. She served as a patrol officer, undercover narcotics detective, advanced accident investigator, tactical officer, and first female sniper on the Dallas SWAT team.
Anita writes about what she knows, cops and crime. Her police background provides an unending source of inspiration for her plots and characters. Many incidents and characters portrayed in her books are based on personal experience. For her, the characters are the fun part of writing as she never knows where they will take her. There is always something out of the ordinary in her stories.
In Anita’s debut novel, Sentinels of the Night, she created an elite FBI Unit, the Trackers. Since then, she has added three more Tracker crime thrillers, Going Gone!, A u 7 9, and Operation Navajo, which are not a series and can be read in any order, and Deadly Business, a crime thriller.
As a Texas author, many of Anita’s books are based in Texas, or there is a link to Texas. When she stepped outside of the Tracker novels and wrote Not Dead and the Tori Winters Mysteries series, she set them in the small Texas communities of Meridian and Granbury, respectively.
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Tori Winters Series tote bag + personalized coffee mug (US only; ends midnight, CST, 2/9/2023)

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THE AQUAMARINE SURFBOARD
by
KELLYE ABERNATHY
Middle Grade / Magical Realism / Fantasy
Publisher: Atmosphere Press
Page Count: 290 pages
Publication Date: November 22, 2021
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Marlene M. Bell is an eclectic mystery writer, artist, photographer, and she raises sheep in beautiful East Texas with her husband, Gregg, three cats and a flock of horned Dorset sheep.
The Annalisse series — mysteries with a touch of romance — has received numerous honors including the Independent Press Award for Best Mystery (Spent Identity) and FAPA (Florida Author’s President’s Gold Award) for two other installments, Stolen Obsession and Scattered Legacy. She also penned the first of her children’s picture books, Mia and Nattie: One Great Team! based on true events from the Bell’s ranch. The simple text and illustrations are a touching tribute of compassion and love between a little girl and her lamb.











Mystery / Amateur Sleuths / West Texas
Listening Length: 17hrs, 44 minutes
Publication Date: July 27, 2022







NOTABLE QUOTABLES from
LIBERTY BELL AND THE LAST AMERICAN
By James Stoddard
In this book, the heroine, Liberty Bell, and her traveling companion, Antonio Ice, meet a number of characters from the past. Much of their dialogue includes their actual quotes. Here are a few of them, along with other quotes from the book. Those quotations which I invented are in italics.
“In the days of the Founders, lightning destroyed whole cities; Pecos Bill the Stormchaser used to tame them, riding the winds on his winged stallion, Mobile.” —Liberty Bell
***
“Don’t hit a man at all if you can possibly avoid it, but if you do hit him, put him to sleep.” —Teddy Roosevelt
***
“We might see almost anything in the land of Lucy Anna: the Old Faithful One walked these woods, his breath blowing steam; the ancient mines, Carl’s Bad Caverns, are hidden here, long abandoned by Snow White and the 49ers. We might run across the White Sands of the Nuklars or the ruins of the Golden Arches.” —Liberty Bell
***
“Government is not reason; it is not eloquent; it is force. Like fire, it is a dangerous servant and a fearful master.” —George Washington
***
“True patriotism is never misplaced, Miss Bell. It is the love of country tempered by an unswerving passion for justice.” —Jesse James (not the one you’re thinking of)
***
“If I could have convinced more slaves that they were slaves, I could have freed thousands more.” —Harriet Tubman
***
“I have not failed. I’ve just found 10,000 ways that won’t work.” —Thomas Edison
***
“When we were kids, my dad used to tell us if we didn’t go to bed, Santa Claws would fly down from Canada and take us to the Twilight Zone.” —Antonio Ice



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THE LOST MELODY
Deleted Scene from
by Joanna Davidson Politano
Context: At the start of the story, Vivienne Mourdant, a concert pianist, has just lost her musician father and received a surprising inheritance. She isn’t sure what to do about it yet, until her manager slips in and tells her what she shouldn’t do. This was originally the second or third scene of the book, in the first chapter or two.
Reason for deletion: I ended up rewriting most of the book after the first draft and totally reordering the way the mystery unfolded and the timing of each piece of information being laid out. The beginning also stretched for far too long before she was onto her quest, so I deleted a lot of the lead-up scenes and got into the action a little quicker.
When the solicitor departed, shrugging into his shabby coat and top-hat, before I’d calmed my nerves, another knock sounded at the study door. “Come in.”
The peculiar and erratic Marcel Beauchene bowed low in the door, his dark curls falling over his face, then flying back as he popped up. “You’re holding up well, are you?” He eyed me as he said it, approaching the desk where I sat.
“Well enough to maintain my performances.”
His expression melted into a broad smile. As my longtime manager, he was an honorary uncle of sorts but Marcel loved the way a scientist would. He went out of his way to keep me safe and flourishing, a machine he kept oiled and maintained, but he never descended into flowery shows of affection. It was always about music for him, and exposing the world to its beauty at any cost. It was not me but my musical talent he looked after with such care.
He slipped into the chair opposite me and set his hat on the desk. “Forgive the intrusion, but I happened to be standing outside, waiting on an audience with a most sought-after young lady, it would seem. Your father’s solicitor, I believe?”
I leveled my gaze at him. “You sneak.”
“Concerned party.” He threw his hands up, palms out. “A family friend looking out for a newly orphaned client.”
“I’ve always held my own.”
He exhaled. “Yes, but you needn’t. Not while I’m around.”
I eyed this man I’d known for so long. Perhaps he did care after all, just a tad under his passionate love for beautiful art.
“You won’t be concerning yourself with this ward of his, I hope, will you?”
My skin went cold. “You heard that part?”
“Because if you do, people will begin associating your name with an asylum. You know what that’ll do for your career, and I don’t want you becoming all tangled up in whatever mess your father has left behind.”
“Marcel, I wasn’t—”
“Now, don’t let’s argue about it. I know you’re a sensible girl who’ll keep clear of all these family secrets and odd goings-on now that your father is gone, so you can focus on your performances.” He sat back, watching me. “Night has gone and it is day now, isn’t it? Time for music at last. For beauty.”
“Yes.” I took a breath, but he spoke first.
“And time for a whole new beginning for you.” He patted my hand and rose, plopping his hat over his curls again. “Come next season, we’ll have you on the most glorious—”
“What about this season? It’s barely spring.” Awareness of those unpaid notes tightened my chest.
“Tsk, and your father barely in the ground. I’m your manager, my dear, and that extends to managing your reputation as well. How unseemly it would be, parading around the continent giving performances while you’re meant to be in mourning? Rest for the summer, enjoy the scent of flowers, and we’ll meet in a few months to discuss what comes next.”
“And until then?” Emptiness sliced through me. Not even one performance? “How will I make my living?”
“You’re a clever woman, Vivienne Mourdant. I’m positive you’ll manage something.” The Frenchman bowed low, dipping his hat then rising to pop it back on his head. “Well, then. You know where to find me if you need anything, yes?” His gaze searched my face. “He spoke fondly of you, that last time I saw him. He was quite aware of your immense talent, even if he wouldn’t say it to you.”
I clamped my hands into fists in my lap. “I think perhaps you misheard him.”
“I may be aging, but my hearing is impeccable. He always knew you had immense talent.” He offered a quick smile. “And I’m glad I can count on you to stay out of this mess with his ward. You’re nothing if not sensible, dear Vivienne, and I know you want nothing to do with this sort of thing.”
Few people actually knew me, as it turned out. I was a Chopin Nocturne—surprising, complex, and impossible to master. Many tried. I’m happy to report that they all failed.
Well, nearly.







This story focuses on the last baby bluebird leaving the nest while it’s mother encourages them. I like the concept of the book. The example of gentle teaching and opportunity to think about a decision before acting quickly. Even though it’s siblings have readily left, this bluebird needs more time and that’s not seen in the negative.
This relatively short story doesn’t lack in the emotion involved with leaving the nest (or experiencing new things). Change can be scary, maybe not as comfortable as a current place. However, with listening to each other and positive encouragement, this baby bird has good things in store.
The illustrations have a great sense of color and perspective that is perfect to keep a child entertained. One of the reasons I love to review these types of books are to see the different art styles and grow in my own art. Nancy Hoover did a great job at accompanying the story with a sense of motion and detail in her art. I loved the note about her grandchildren reading this book one day.
Overall, this is a great story to read to children in that bedtime routine!


