THE LOST MELODY

Deleted Scene from

by Joanna Davidson Politano

Context: At the start of the story, Vivienne Mourdant, a concert pianist, has just lost her musician father and received a surprising inheritance. She isn’t sure what to do about it yet, until her manager slips in and tells her what she shouldn’t do. This was originally the second or third scene of the book, in the first chapter or two.

Reason for deletion: I ended up rewriting most of the book after the first draft and totally reordering the way the mystery unfolded and the timing of each piece of information being laid out. The beginning also stretched for far too long before she was onto her quest, so I deleted a lot of the lead-up scenes and got into the action a little quicker.

When the solicitor departed, shrugging into his shabby coat and top-hat, before I’d calmed my nerves, another knock sounded at the study door. “Come in.”

The peculiar and erratic Marcel Beauchene bowed low in the door, his dark curls falling over his face, then flying back as he popped up. “You’re holding up well, are you?” He eyed me as he said it, approaching the desk where I sat.

“Well enough to maintain my performances.” 

His expression melted into a broad smile. As my longtime manager, he was an honorary uncle of sorts but Marcel loved the way a scientist would. He went out of his way to keep me safe and flourishing, a machine he kept oiled and maintained, but he never descended into flowery shows of affection. It was always about music for him, and exposing the world to its beauty at any cost. It was not me but my musical talent he looked after with such care.

He slipped into the chair opposite me and set his hat on the desk. “Forgive the intrusion, but I happened to be standing outside, waiting on an audience with a most sought-after young lady, it would seem. Your father’s solicitor, I believe?”

I leveled my gaze at him. “You sneak.”

“Concerned party.” He threw his hands up, palms out. “A family friend looking out for a newly orphaned client.”

“I’ve always held my own.”

He exhaled. “Yes, but you needn’t. Not while I’m around.”

I eyed this man I’d known for so long. Perhaps he did care after all, just a tad under his passionate love for beautiful art.

“You won’t be concerning yourself with this ward of his, I hope, will you?”

My skin went cold. “You heard that part?”

“Because if you do, people will begin associating your name with an asylum. You know what that’ll do for your career, and I don’t want you becoming all tangled up in whatever mess your father has left behind.”

“Marcel, I wasn’t—”

“Now, don’t let’s argue about it. I know you’re a sensible girl who’ll keep clear of all these family secrets and odd goings-on now that your father is gone, so you can focus on your performances.” He sat back, watching me. “Night has gone and it is day now, isn’t it? Time for music at last. For beauty.”

“Yes.” I took a breath, but he spoke first.

“And time for a whole new beginning for you.” He patted my hand and rose, plopping his hat over his curls again. “Come next season, we’ll have you on the most glorious—”

“What about this season? It’s barely spring.” Awareness of those unpaid notes tightened my chest.

“Tsk, and your father barely in the ground. I’m your manager, my dear, and that extends to managing your reputation as well. How unseemly it would be, parading around the continent giving performances while you’re meant to be in mourning? Rest for the summer, enjoy the scent of flowers, and we’ll meet in a few months to discuss what comes next.”

“And until then?” Emptiness sliced through me. Not even one performance? “How will I make my living?”

“You’re a clever woman, Vivienne Mourdant. I’m positive you’ll manage something.” The Frenchman bowed low, dipping his hat then rising to pop it back on his head. “Well, then. You know where to find me if you need anything, yes?” His gaze searched my face. “He spoke fondly of you, that last time I saw him. He was quite aware of your immense talent, even if he wouldn’t say it to you.”

I clamped my hands into fists in my lap. “I think perhaps you misheard him.”

“I may be aging, but my hearing is impeccable. He always knew you had immense talent.” He offered a quick smile. “And I’m glad I can count on you to stay out of this mess with his ward. You’re nothing if not sensible, dear Vivienne, and I know you want nothing to do with this sort of thing.”

Few people actually knew me, as it turned out. I was a Chopin Nocturne—surprising, complex, and impossible to master. Many tried. I’m happy to report that they all failed.

Well, nearly.

The Bravery of the Young

Guest Post

by Tammy L. Gray

I’ll never forget the first time I met Tayler. She was barely nineteen, recently engaged, and had just accepted a position as the receptionist at our church. In her lap was a squirmy seven-month-old little girl. I asked the girl’s name and, after a few inquiries, learned that little “Lilli” was Tayler’s niece. What I didn’t learn until a while later was that only three months prior, Tayler had taken full guardianship of her sister’s daughter after finding her niece in a state of severe neglect. This girl, barely out of high school, took on the responsibility of raising a child when she was still a child herself. What amazed me more was that her fiancé, Luke, accepted that responsibility as well and became a full-time parent before he was even twenty. I asked Tayler what it felt like to make that decision knowing it would forever alter her future. She just shrugged and said, “There was no decision. She needed me.” In that moment, I saw more bravery and commitment in Tayler’s eyes than I’d seen in the eyes of men and women three times her age.

I also knew in that moment that one day I wanted to write a version of her story. So, ten years later, I sat down again with Tayler as she walked me through the fight they were still in to gain custody of Lilli, of the struggle she’s had watching her sister’s life crumble due to continued addiction, of the fear she constantly dealt with of losing her daughter, and of the challenges of being a mom in every way but one. But never in that conversation did she question her choice or the gift God had given her. Thus, the inspiration for Love and the Dream Come True was born, and soon my heroine, Lexie, and her daughter, Morgan, became as real to me on paper as Tayler and Lilli were in real life.

But Lexie and Morgan’s journey isn’t the only one inspired by real events. My hero, Cameron, was also inspired by my own struggles as an artist. As I questioned the gifts God had given me and struggled with the pressure of perfection and sales and marketing, those dark moments of doubt found their way onto the pages of the story.

And what I realized in writing both character arcs was that each one of them was at their bravest when they were young, when they hadn’t yet suffered defeats and disappointments. They were willing and open and ready for the challenges God threw their way. And I began to ask myself, when did I lose this freedom? When did I begin taking each step forward with doubt and caution until I couldn’t even see the path ahead anymore? There’s a reason Jesus applauded the faith of children. They are willing, pliable, and fearless.

Love and the Dream Come True isn’t a story about fighting to make your dreams happen; it’s a story about surrender. Surrendering your dreams to the path God has for you. It’s about recognizing that God doesn’t want perfection. He wants real, true faith. He wants you to say yes when your fears are saying no. And when you do, wow, does He ever bless you for it.

I’m so thrilled to say that on December 10, 2021, after a ten-year-long legal battle, Lilli officially became the adopted daughter of Tayler and Luke. I was in that courtroom when the judge declared them a family, and I literally thought my heart might explode. This is the promise fulfilled. This is what happens when faith overcomes fear.

Since that day, God has asked me to take some mighty steps. And with each one, I remind myself of His faithfulness even when it’s hard, and some of them have been. But my hope as I age in years is that my faith and heart stay young and brave. Because the journey only ends when we become unwilling to step forward.

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